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Canon G9 Custom Grip -- Shipping Now! Most of Richard's latest -- and perhaps last -- production run of these grips have been sold through pre-orders, but there are a few left. If you'd like one, I recommend that you order now. Thanks, Don. Richard's collection of custom-made camera accessories includes Custom Grips, Hot Shoe Covers, Remote Cable Releases and more. Click on your camera model below... or just scroll down the page to see the entire range.
Richard's goal is to increase your personal connection with your camera and enhance your photographic experience -- and that just might improve your image quality.
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![]() ![]() This is the G9 Grip, but the G7 Grip looks just as good and performs just as well, providing an attractive, comfortable grip on a fairly gripless camera, and giving you even more control when you mount an external flash. Application is easy. The underside of the grip matches the G9's rubber handhold for perfect alignment. And the no-mess adhesive strip keeps the grip solidly in place, although you can pry it off without damaging the camera if you're careful. Cases: The grip does not fit into Canon's snug leather case (the grip stands approximately an eighth of an inch (0.125 inches, 0.318cm) above the retracted lens -- although some people have mounted it on the case itself, instead of the camera, and are quite happy. If you carry your camera in your pocket or a small camera bag, the slightly higher profile will make little difference when you're retrieving it. Underwater: This grip works with the Ikelite housing, but not with the Canon underwater housing. You can read this DPreview post for more opinions.
I like black… and definitely didn't like the silver accent on the standard Canon lens ring. So buying this was an automatic decision. I bought it even though I leave my Lensmate on all the time, so I don’t really need a lens ring at all. Then I thought of Leela, who also owns a G9. I presented the black ring in one hand and the black-and-silver in the other and asked which one she preferred. She looked at me like I was crazy: “Black, of course.” What can I say... the woman has taste.
![]() Your internal flash will work without removing the Custom Hot Shoe Cover, thanks to thoughtful design. The only time you'll take it off is to use an external flash, and high-tolerance machining ensures it won't slip out on its own. In place, it protects the camera's flash contacts from rain and dirt, eliminates snagging when you pull the camera from your pocket, and it simply looks good. Tip: It is small, so when you take it off, make it a habit to put it in the same place every time, whether that's your left front pants pocket or a pocket on your camera bag. You can read this DPreview post for more opinions.
![]() This adapter allows you to use a cable release of your own choosing on your G7 or G9. The photos tell you most of what you need to know, but there is a detailed review online in the forum below, along with some possible uses. Note that a cable release is not included, so you can buy the length(s) you need or use one you already own. Not all cable releases are created identical -- even if they all say "standard" -- so if you don't already own a cable release, you should buy Richard's adapter first and take it with you when you go cable shopping. You can read this DPreview post for my review and more opinions.
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![]() Your internal flash will work without removing the Custom Hot Shoe Cover, thanks to thoughtful design. The only time you'll take it off is to use an external flash, and high-tolerance machining ensures it won't slip out on its own. In place, it protects the camera's flash contacts from rain and dirt, eliminates snagging when you pull the camera from your pocket, and it simply looks good. Tip: It is small, so when you take it off, make it a habit to put it in the same place every time, whether that's your left front pants pocket or a pocket on your camera bag.
This adapter is beautifully machined from Delrin and uses the camera's hot shoe cover as a solid base for the mechanical cable release. You can't use an external flash at the same time as a cable release, but it's not flash photography that you want a cable release for in the first place. Note that a cable release is not included, so you can buy the length(s) you need or use one you already own. Not all cable releases are created identical -- even if they all say "standard" -- so if you don't already own a cable release, you should buy Richard's adapter first and take it cable shopping with you.
![]() ![]() Your internal flash will work without removing the Custom Hot Shoe Cover, thanks to thoughtful design. The only time you'll take it off is to use an external flash, and high-tolerance machining ensures it won't slip out on its own. In place, it protects the camera's flash contacts from rain and dirt, eliminates snagging when you pull the camera from your pocket, and it simply looks good. Tip: It is small, so when you take it off, make it a habit to put it in the same place every time, whether that's your left front pants pocket or a pocket on your camera bag.
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![]() This custom grip is the answer to the prayers of D-LUX 4 enthusiasts who find Leica's screw-on grip cumbersome and expensive. The contour of the grip provides a natural, comfortable way of handling the camera, even one-handed, and adds a substantial feeling of safety and assurance to otherwise slippery and gripless body. And unlike the Leica grip, the Custom Grip don't obstruct the battery/card door. The grip is built to the same high standards as the field-proven grips for the Canon G7 and G9 and the Sigma DP1/DP2. It is individually 3D CNC machined from a solid block of aircraft-grade aluminium before being glass-bead blasted, black-anodized and nickel-sealed for durability and good looks. The adhesive used for mounting the grip is VHB (very high bond) 3M clear transfer film for unparallel bonding power in all possible environmental conditions. Despite the holding power, the grip can be carefully removed without damaging the camera finish or leaving a stubborn residue. After removing it, you can cover the adhesive with the original slick backing material for storage so that you can reattach the grip later. Another plus: with the grip attached, the D-LUX 4 still fits smoothly into the Leica leather case with flap.
![]() Your internal flash will work without removing the Custom Hot Shoe Cover, thanks to thoughtful design. The only time you'll take it off is to use an external flash, and high-tolerance machining ensures it won't slip out on its own. In place, it protects the camera's flash contacts from rain and dirt, eliminates snagging when you pull the camera from your pocket, and it simply looks good. Tip: It is small, so when you take it off, make it a habit to put it in the same place every time, whether that's your left front pants pocket or a pocket on your camera bag. This cover also works with the Leica X1.
The adapter is beautifully machined from Delrin and uses the camera's hot shoe cover as a solid base for the mechanical cable release. You can't use an external flash at the same time as a cable release, but it's not flash photography that you want a cable release for in the first place. Note that a cable release is not included, so you can buy the length(s) you need or use one you already own. Not all cable releases are created identical -- even if they all say "standard" -- so if you don't already own a cable release, you should buy Richard's adapter first and take it cable shopping with you.
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![]() Sometimes the biggest improvement you can make in a small camera is a better way to hold it -- and Richard's Custom Grip for the DP1 and DP2 will change the way you handle your camera. It is individually 3D CNC machined from a solid block of aircraft-grade aluminium before being glass-bead blasted, black-anodized and nickel-sealed for durability and good looks. The adhesive used for mounting the grip is VHB (very high bond) 3M clear transfer film for unparallel bonding power in all possible environmental conditions. It has been reported on a DPreview.com forum that after falling from the roof of a car traveling at 30mph that the grip was still attached and intact, unlike the DP1 which was a total loss. Despite the holding power, the grip can be carefully removed without damaging the camera finish or leaving a stubborn residue. After removing it, you can cover the adhesive with the original slick backing material for storage so that you can reattach the grip later. I received the first DP2 in Hong Kong and the first thing I did was attach the grip. When I let a professional photographer handle the camera the next day, he immediately commented on the handling and thought it was part of the original design. Another benefit of the grip for those of us who like to keep a low profile is that it hides the big white "SIGMA" on the front of the camera. You can read this DPreview post for more opinions. And here's another thread with photos at DPI.com.
The custom mechanical cable release adapter for the DP1 and DP2 (some adapter) is precision-machined from black Delrin, just like field-proven cable adapters for the Canon G series, the Panasonic LX3 and the Leica D-Lux4. The low profile shape of the adapter does not block the power button or other controls. Being slightly larger than the PASM mode dial, it protects the dial from accidental changes, while still making it easy to change modes when you want to. The adapter uses the camera's hot shoe as a solid base, so you can't use an external flash at the same time as a cable release... but it's not flash photography that you want a cable release for in the first place. Note that a cable release is not included, so you can buy the length(s) you need or use one you already own. Not all cable releases are created identical -- even if they all say "standard" -- so if you don't already own a cable release, you should buy Richard's adapter first and take it cable shopping with you. I own this adapter and consider it one of the small masterpieces of Richard's many accessories -- it is so intricate, so well-machined, so cool and so useful that it's a pleasure just to touch it and put it on. It also helps that I have a very stylish cable release. LOL Click for a slide show of other images of this beautiful adapter.
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Important Ordering Informationin the PayPal "Message" box so Richard can contact you with questions and confirmations. |
To order accessories:
even if you don't have a PayPal account. tecsol@comcast.net If you have difficulties with that email, use rfraniec@yahoo.com but do not use this address at PayPal. It will not work. Lensmate carries Richard's accessories. And if you read Japanese, you can order from Mr. Eizaburo Ogura at Oriental Hobbies in Okinawa. |

| Component | Code | |
| Custom Grip -- G7 No longer available. |
CG-G7 | |
| Custom Grip -- G9 Limited stock. |
CG-G9 | |
| Custom Grip -- S90 |
CG-S90 | |
| Custom Grip -- Sigma (All DP Models) | CG-DP | |
| Custom Grip -- D-LUX 4 | CG-DLUX4 | |
| Black Ring No longer available. |
BR | |
| Custom Mechanical Cable Release Adapter -- G7/G9 No longer available. |
CMCRA - G7G9 | |
| Custom Mechanical Cable Release Adapter -- LX-3 | CMCRA - LX3 | |
| Custom Mechanical Cable Release Adapter -- D-LUX 4 | CMCRA - DLUX4 | |
| Custom Mechanical Cable Release Adapter -- All DP Models | CMCRA-DP | |
| Custom Hot Shoe Cover -- Plain | CHSC-P | |
| Custom Hot Shoe Cover -- G | CHSC-G | |
| Custom Hot Shoe Cover -- S | CHSC-S | |
| Custom Hot Shoe Cover -- ND | CHSC-ND | |
| Custom Hot Shoe Cover -- LX3 | CHSC-LX3 | |
| Custom Hot Shoe Cover -- DLUX4 | CHSC-DLUX4 | |
| Custom Hot Shoe Cover -- Panasonic G1 | CHSC-PG1 | |
| Custom Hot Shoe Cover -- XT | CHSC-XT | |
![]() Inside the U.S. = US$3.00 (First Class Mail) Outside the U.S. = US$4.50 (International First Class Mail) Priority and express shipping are available at additional cost; please ask. These components are lightweight, so these charges will cover shipping for several components. If you want to buy a dozen of each to give to friends, however, it may be slightly more. ![]() Small CamerasG-series cameras -- G7, G9, G10, G11 -- can use either the Plain or the G (CHSC-P or CHSC-G); it's just a matter of personal taste.S-series cameras -- S5IS, SX1IS, SX10IS, SX20IS -- MUST use the S cover (CHSC-S) to ensure the internal flash operates with the cover in place. Big CamerasDigital Rebel series XTi (400D), XSi (450D), XS (1000D), T1 (500D) -- CHSC-XT.EOS series 40D, 50D, 5DMKII, 7D, 1DMKIII, 1DsMKIII, 1DMKIV -- CHSC-ND. EOS series 10D, 20D, 5D (Mark 1) -- CHSC-P.
![]() Occasionally Richard takes a break from the drawing board and the machine shop to take a photo -- this one is from a trip to the Galapagos Islands over Christmas 2008. After you finish checking out Richard's components, you might enjoy reading what Nick Devlin has to say about them and Lensmate, and the G9 and his Leica M8. |